Scholars Mind

Art of the Waiting World

We also pass through shared liminal spaces in the real world: train stations (and trains!), airports, elevators. Consider the following works, then discuss with your team: in what sense does each of them depict a liminal setting?

Train stations, platforms, elevators — we share them with strangers for a few minutes, then move on. Artists have long been fascinated by these in-between places. Monet painted the steam and chaos of a Paris station a dozen times; Turner blurred a speeding train into rain and light; a modern sculptor even turned the Whitney's elevators into art you ride. Each captures a world built for passing through.

Key concepts

The Shared Liminal Space
Stations, trains, and elevators are public in-betweens we occupy briefly alongside strangers, all en route to somewhere else — liminality made communal.
Modernity And Motion
Many of these works arose with the railway age, when trains transformed how people experienced time and space, and artists raced to capture the new feeling of speed and steam.
Transit Across Cultures
From a Japanese woodcut to a Taiwanese tunnel song to a photo of an Indian station, the works show the liminal world of travel is global.
Depicting The In-between
Each renders transit differently — as blur, crowd, atmosphere, sound, or a space you physically enter — but all show a setting defined by movement and waiting.

What to know

  1. 01
    Each work depicts liminality in its own medium — Turner gives transit as blur, Frith as crowd, Monet as atmosphere, the Yilan song as sound, Artschwager as a space you enter — showing many ways to capture the same in-between feeling.

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