The Messy Middle of Growing Up
A ceremony offers a definite moment: now you are a man, or woman, or more broadly an adult. But the transition to adulthood is rarely a single, clean step; more often, it is a series of stumbles. The following works explore the messy middle years, where childhood collides with the expectations of tradition, society, and self-identity. As you explore them, consider: is adulthood a destination you reach or a mask you learn to wear?
- Gwendolyn Brooks | “We Real Cool” (1963)
- Virginia Driving Hawk Sneve | “The Medicine Bag” (1975)
- Carol Ann Duffy | “In Mrs. Tilscher’s Class” (1990)
- Joss Whedon | “Where Do We Go From Here?” (2001)
- Karen Russell | “Lucy's Home for Girls Raised by Wolves” (2006)
- Ruth B | “Lost Boy” (2015)
- Major Jackson | “Let Me Begin Again” (2021)
Claudette learns to walk, dance and speak like a human. The thing that finally makes her one is her ability to tell a comfortable lie.
Every work — at a glance
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We Real Cool — Gwendolyn Brooks (poem)
An eight-line 1960 poem spoken by seven pool players who skip school. Every sentence ends on 'We', left dangling at the line's edge, so the swagger sounds unmoored — and the last line lands: 'We / Die soon.'
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What to know
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01
How do these works treat the clean line a ceremony promises? None of them believe in it. Brooks's pool players swagger and die soon; Duffy's classroom tips from safety into knowledge in a single afternoon; Sneve's Martin is handed “The Medicine Bag” and must decide what to do with a heritage he was hiding. Growing up arrives as a series of stumbles.
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Across subjects
Theme connection
"Are We There Yet?"
Practice — a sample
ARTBuffy's finale sends its cast forward with no ending given. It is MOST like —
- A Harry Potter's epilogue
- B Tony Soprano's black screen
- C Stargate's lost ending
- D Ithaka's long road
- E Blade Runner's open question
Sign in to answer and see why each option is right or wrong.
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